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Writing Test 25

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Writing Test 25
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  • Question 1
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    This passage is from Charlotte Brontë, The Professor, originally published in 1857.[/passage-header]No man likes to acknowledge that he has made a mistake in the choice of his profession, and every man, worthy of the name, will row long against wind and tide before he allows himself to cry out, "I am baffled!" and submits to be floated passively back to land. From the first week of my residence in X--I felt my occupation irksome. The thing itself--the work of copying and translating business letters--was a dry and tedious task enough, but had that been all, I should long have borne with the nuisance; I am not of an impatient nature, and influenced by the double desire of getting my living and justifying to myself and others the resolution I had taken to become a tradesman, I should have endured in silence the rust and cramp of my best faculties; I should not have whispered, even inwardly, that I longed for liberty; I should have pent in every sigh by which my heart might have ventured to intimate its distress under the closeness, smoke, monotony, and joyless tumult of Bigben Close, and its panting desire for freer and fresher scenes; I should have set up the image of Duty, the fetish of Perseverance, in my small bedroom at Mrs. Kings lodgings, and they two should have been my household gods, from which my darling, my cherished-in-secret, Imagination, the tender and the mighty, should never, either by softness or strength, have severed me. But this was not all; the antipathy which had sprung up between myself and my employer striking deeper root and spreading denser shade daily, excluded me from every glimpse of the sunshine of life; and I began to feel like a plant growing in humid darkness out of the slimy walls of a well. Antipathy is the only word which can express the feeling Edward Crimsworth had for me--a feeling, in a great measure, involuntary, and which was liable to be excited by every, the most trifling movement, look, or word of mine. My southern accent annoyed him; the degree of education evinced in my language irritated him; my punctuality, industry, and accuracy, fixed his dislike, and gave it the high flavour and poignant relish of envy; he feared that I too should one day make a successful tradesman. Had I been in anything inferior to him, he would not have hated me so thoroughly, but I knew all that he knew, and, what was worse, he suspected that I kept the padlock of silence on mental wealth in which he was no sharer. If he could have once placed me in a ridiculous or mortifying position, he would have forgiven me much, but I was guarded by three faculties--Caution, Tact, Observation; and prowling and prying as was Edwards malignity, it could never baffle the lynx-eyes of these, my natural sentinels. Day by day did his malice watch my tact, hoping it would sleep, and prepared to steal snake-like on its slumber; but tact, if it be genuine, never sleeps.

    ...view full instructions

    What is the setting of the story?
    Solution
    The 'setting of a story' is both the time and the geographic location within a narrative.
    The correct answer is Option C. The narrator mentions about the place of his work and his stay at Bigben Close. The narration from the text - 'distress under the closeness, smoke, monotony, and joyless tumult of Bigben Close...'- states how gloomy and monotonous he found this place.
    Option A is incorrect as Mrs. King's Lodging is the place where the narrator stays in the city.
    Option B and Option D are incorrect as they do not stand relevant according to the story.

  • Question 2
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    This passage is from Charlotte Brontë, The Professor, originally published in 1857.[/passage-header]No man likes to acknowledge that he has made a mistake in the choice of his profession, and every man, worthy of the name, will row long against wind and tide before he allows himself to cry out, "I am baffled!" and submits to be floated passively back to land. From the first week of my residence in X--I felt my occupation irksome. The thing itself--the work of copying and translating business letters--was a dry and tedious task enough, but had that been all, I should long have borne with the nuisance; I am not of an impatient nature, and influenced by the double desire of getting my living and justifying to myself and others the resolution I had taken to become a tradesman, I should have endured in silence the rust and cramp of my best faculties; I should not have whispered, even inwardly, that I longed for liberty; I should have pent in every sigh by which my heart might have ventured to intimate its distress under the closeness, smoke, monotony, and joyless tumult of Bigben Close, and its panting desire for freer and fresher scenes; I should have set up the image of Duty, the fetish of Perseverance, in my small bedroom at Mrs. Kings lodgings, and they two should have been my household gods, from which my darling, my cherished-in-secret, Imagination, the tender and the mighty, should never, either by softness or strength, have severed me. But this was not all; the antipathy which had sprung up between myself and my employer striking deeper root and spreading denser shade daily, excluded me from every glimpse of the sunshine of life; and I began to feel like a plant growing in humid darkness out of the slimy walls of a well. Antipathy is the only word which can express the feeling Edward Crimsworth had for me--a feeling, in a great measure, involuntary, and which was liable to be excited by every, the most trifling movement, look, or word of mine. My southern accent annoyed him; the degree of education evinced in my language irritated him; my punctuality, industry, and accuracy, fixed his dislike, and gave it the high flavour and poignant relish of envy; he feared that I too should one day make a successful tradesman. Had I been in anything inferior to him, he would not have hated me so thoroughly, but I knew all that he knew, and, what was worse, he suspected that I kept the padlock of silence on mental wealth in which he was no sharer. If he could have once placed me in a ridiculous or mortifying position, he would have forgiven me much, but I was guarded by three faculties--Caution, Tact, Observation; and prowling and prying as was Edwards malignity, it could never baffle the lynx-eyes of these, my natural sentinels. Day by day did his malice watch my tact, hoping it would sleep, and prepared to steal snake-like on its slumber; but tact, if it be genuine, never sleeps.

    ...view full instructions

    Who or what is the antagonist of the story?
    Solution
    The antagonist is a person who actively opposes or is hostile to the protagonist.
    The correct answer is Option B. Edward Crimsworth had a problem with the narrator in each and every way which made it difficult for the narrator to work, thus making Edward Crimsworth the antagonist.
    Option A is incorrect as the narrator is the protagonist as the story revolves around him.
    Option C is incorrect as the job of the narrator is only an inconvenient part which he writes about.
    Option D is incorrect as the feeling of hate or the jealousy belongs to Edward Crimsworth, thus making him the antagonist.
  • Question 3
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    (This passage is adapted from Saki, “The Schartz-Metterklume Method.”)
    [/passage-header]Lady Carlotta stepped out onto the platform of the small wayside station and took a turn or two up and down its uninteresting length, to kill time till the train should be pleased to proceed on its way. Then, in the roadway beyond, she saw a horse struggling with a more than ample load, and a carter of the sort that seems to bear a sullen hatred against the animal that helps him to earn a living. Lady Carlotta promptly betook her to the roadway and put rather a different complexion on the struggle. Certain of her acquaintances were wont to give her plentiful admonition as to the undesirability of interfering behalf of a distressed animal, such interference being none of her business. Only once had she put the doctrine of non-interference into practice, when one of its most eloquent exponents had been besieged for nearly three hours in a small and extremely uncomfortable may-tree by an angry boar-pig, while Lady Carlotta, on the other side of the fence, had proceeded with the water-colour sketch she was engaged on and refused to interfere between the board and his prisoner. It is to be feared that she lost the friendship of the ultimately rescued lady. On this occasion, she merely lost the train, which gave way to the first sign of impatience it had shown throughout the journey and steamed off without her. She bore the desertion with philosophical indifference; her friends and relations were thoroughly well used to the fact of her luggage arriving without her. She wired a vague non-committal message to her destination to say that she was coming on by another train. Before she had time to think what her next move might be she was confronted by an imposingly attired lady, who seemed to be taking a prolonged mental inventory of her clothes and looks. 
    You must be Miss Hope, the governess I've come to meet, said the apparition, in a tone that admitted of very little argument.
    Very well, if I must I must, said Lady Carlotta herself with dangerous meekness.
    I am Mrs. Quabarl, continued the lady; and where, pray, is your luggage? 
    Its gone astray, said the alleged governess, falling in with the excellent rule of life that the absent are always to blame; the luggage had, in point of fact, behaved with perfect correctitude.
    I've just telegraphed about it, she added, with a nearer approach to truth.
    How provoking, said Mrs. Quabarl; these railway companies are so careless. However, my maid can lend you things for the night, and she led the way to her car. During the drive to the Quabarl mansion Lady Carlotta was impressively introduced to the nature of the charge that had been thrust upon her; she learned that Claude and Wilfrid were delicate, sensitive young people, that Irene had the artistic temperament highly developed, and that Viola was something or other else of a mould equally commonplace among children of that class and type in the twentieth century.
    I wish them not only to be TAUGHT, said Mrs.Quabarl, but INTERESTED in what they learn. In their history lessons, for instance, you must try to make them feel that they are being introduced to the life-stories of men and women who really lived, not merely committing a mass of names and dates to memory. French, of course, I shall expect you to talk at mealtimes several days in the week.
    I shall talk French four days of the week and Russian in the remaining three.
    Russian? My dear Miss Hope, no one in the house speaks or understands Russian.
    That will not embarrass me in the least, said Lady Carlotta coldly. Mrs. Quabarl, to use a colloquial expression, was knocked off her perch. She was one of those imperfectly self-assured individuals who are magnificent and autocratic as long as they are not seriously opposed. The least show of unexpected resistance goes a long way towards rendering them cowed and apologetic. When the new governess failed to express wondering admiration of the large newly-purchased and expensive car, and lightly alluded to the superior advantages of one or two makes which had just been put on the market, the discomfiture of her patroness became almost abject. Her feelings were those which might have animated general of ancient warfaring days, on beholding his heaviest battle-elephant ignominiously driven off the field by slingers and javelin throwers.

    ...view full instructions

    Which option best describes Lady Carlotta?
    Solution
    The correct answer is Option C. We find that Lady Carlotta has a smart reply for anything and everything asked to her making her a 'outspoken' woman in the story.
    Options A, B and D are incorrect as these descriptions do not match with the character of Lady Carlotta appropriately.
  • Question 4
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    This passage is from Charlotte Brontë, The Professor, originally published in 1857.[/passage-header]No man likes to acknowledge that he has made a mistake in the choice of his profession, and every man, worthy of the name, will row long against wind and tide before he allows himself to cry out, "I am baffled!" and submits to be floated passively back to land. From the first week of my residence in X--I felt my occupation irksome. The thing itself--the work of copying and translating business letters--was a dry and tedious task enough, but had that been all, I should long have borne with the nuisance; I am not of an impatient nature, and influenced by the double desire of getting my living and justifying to myself and others the resolution I had taken to become a tradesman, I should have endured in silence the rust and cramp of my best faculties; I should not have whispered, even inwardly, that I longed for liberty; I should have pent in every sigh by which my heart might have ventured to intimate its distress under the closeness, smoke, monotony, and joyless tumult of Bigben Close, and its panting desire for freer and fresher scenes; I should have set up the image of Duty, the fetish of Perseverance, in my small bedroom at Mrs. Kings lodgings, and they two should have been my household gods, from which my darling, my cherished-in-secret, Imagination, the tender and the mighty, should never, either by softness or strength, have severed me. But this was not all; the antipathy which had sprung up between myself and my employer striking deeper root and spreading denser shade daily, excluded me from every glimpse of the sunshine of life; and I began to feel like a plant growing in humid darkness out of the slimy walls of a well. Antipathy is the only word which can express the feeling Edward Crimsworth had for me--a feeling, in a great measure, involuntary, and which was liable to be excited by every, the most trifling movement, look, or word of mine. My southern accent annoyed him; the degree of education evinced in my language irritated him; my punctuality, industry, and accuracy, fixed his dislike, and gave it the high flavour and poignant relish of envy; he feared that I too should one day make a successful tradesman. Had I been in anything inferior to him, he would not have hated me so thoroughly, but I knew all that he knew, and, what was worse, he suspected that I kept the padlock of silence on mental wealth in which he was no sharer. If he could have once placed me in a ridiculous or mortifying position, he would have forgiven me much, but I was guarded by three faculties--Caution, Tact, Observation; and prowling and prying as was Edwards malignity, it could never baffle the lynx-eyes of these, my natural sentinels. Day by day did his malice watch my tact, hoping it would sleep, and prepared to steal snake-like on its slumber; but tact, if it be genuine, never sleeps.

    ...view full instructions

    Who are the main characters in the story?
    Solution
    The main characters are the characters that have the greatest effect on the plot or the most affected by what happens in the story.
    The correct answer is Option A. The narrator is the protagonist of the story while Edward Crimsworth is the antagonist in the story thus making them the main characters of the story.
    Option B is incorrect as Mrs. King is not a character in the story but it is just the name of the lodgings where the narrator had a small apartment.
    Options C and D only refer to one of the main characters of the story and thus are incorrect.
  • Question 5
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    This passage is from Charlotte Brontë, The Professor, originally published in 1857.[/passage-header]No man likes to acknowledge that he has made a mistake in the choice of his profession, and every man, worthy of the name, will row long against wind and tide before he allows himself to cry out, "I am baffled!" and submits to be floated passively back to land. From the first week of my residence in X--I felt my occupation irksome. The thing itself--the work of copying and translating business letters--was a dry and tedious task enough, but had that been all, I should long have borne with the nuisance; I am not of an impatient nature, and influenced by the double desire of getting my living and justifying to myself and others the resolution I had taken to become a tradesman, I should have endured in silence the rust and cramp of my best faculties; I should not have whispered, even inwardly, that I longed for liberty; I should have pent in every sigh by which my heart might have ventured to intimate its distress under the closeness, smoke, monotony, and joyless tumult of Bigben Close, and its panting desire for freer and fresher scenes; I should have set up the image of Duty, the fetish of Perseverance, in my small bedroom at Mrs. Kings lodgings, and they two should have been my household gods, from which my darling, my cherished-in-secret, Imagination, the tender and the mighty, should never, either by softness or strength, have severed me. But this was not all; the antipathy which had sprung up between myself and my employer striking deeper root and spreading denser shade daily, excluded me from every glimpse of the sunshine of life; and I began to feel like a plant growing in humid darkness out of the slimy walls of a well. Antipathy is the only word which can express the feeling Edward Crimsworth had for me--a feeling, in a great measure, involuntary, and which was liable to be excited by every, the most trifling movement, look, or word of mine. My southern accent annoyed him; the degree of education evinced in my language irritated him; my punctuality, industry, and accuracy, fixed his dislike, and gave it the high flavour and poignant relish of envy; he feared that I too should one day make a successful tradesman. Had I been in anything inferior to him, he would not have hated me so thoroughly, but I knew all that he knew, and, what was worse, he suspected that I kept the padlock of silence on mental wealth in which he was no sharer. If he could have once placed me in a ridiculous or mortifying position, he would have forgiven me much, but I was guarded by three faculties--Caution, Tact, Observation; and prowling and prying as was Edwards malignity, it could never baffle the lynx-eyes of these, my natural sentinels. Day by day did his malice watch my tact, hoping it would sleep, and prepared to steal snake-like on its slumber; but tact, if it be genuine, never sleeps.

    ...view full instructions

    What is the story about?
    Solution
    The correct answer is Option C. The narrator narrates how he does not like the job he is doing though he desires to succeed in the field to become a successful tradesman. The narrator also narrates the problems faced by him due to the envious and negative behavior of his employer.
    Option A is incorrect as the narrator works hard but is not envious of his employer.
    Option B is incorrect as the narrator does not like his job but it was a part that would eventually make him a successful tradesman and thus he did not want to change it.
    Option D is incorrect as the narrator does not want to confront his employer rather he wants to tactfully handle him while working for his own progress.


  • Question 6
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    (This passage is adapted from Saki, “The Schartz-Metterklume Method.”)
    [/passage-header]Lady Carlotta stepped out onto the platform of the small wayside station and took a turn or two up and down its uninteresting length, to kill time till the train should be pleased to proceed on its way. Then, in the roadway beyond, she saw a horse struggling with a more than ample load, and a carter of the sort that seems to bear a sullen hatred against the animal that helps him to earn a living. Lady Carlotta promptly betook her to the roadway and put rather a different complexion on the struggle. Certain of her acquaintances were wont to give her plentiful admonition as to the undesirability of interfering behalf of a distressed animal, such interference being none of her business. Only once had she put the doctrine of non-interference into practice, when one of its most eloquent exponents had been besieged for nearly three hours in a small and extremely uncomfortable may-tree by an angry boar-pig, while Lady Carlotta, on the other side of the fence, had proceeded with the water-colour sketch she was engaged on and refused to interfere between the board and his prisoner. It is to be feared that she lost the friendship of the ultimately rescued lady. On this occasion, she merely lost the train, which gave way to the first sign of impatience it had shown throughout the journey and steamed off without her. She bore the desertion with philosophical indifference; her friends and relations were thoroughly well used to the fact of her luggage arriving without her. She wired a vague non-committal message to her destination to say that she was coming on by another train. Before she had time to think what her next move might be she was confronted by an imposingly attired lady, who seemed to be taking a prolonged mental inventory of her clothes and looks. 
    You must be Miss Hope, the governess I've come to meet, said the apparition, in a tone that admitted of very little argument.
    Very well, if I must I must, said Lady Carlotta herself with dangerous meekness.
    I am Mrs. Quabarl, continued the lady; and where, pray, is your luggage? 
    Its gone astray, said the alleged governess, falling in with the excellent rule of life that the absent are always to blame; the luggage had, in point of fact, behaved with perfect correctitude.
    I've just telegraphed about it, she added, with a nearer approach to truth.
    How provoking, said Mrs. Quabarl; these railway companies are so careless. However, my maid can lend you things for the night, and she led the way to her car. During the drive to the Quabarl mansion Lady Carlotta was impressively introduced to the nature of the charge that had been thrust upon her; she learned that Claude and Wilfrid were delicate, sensitive young people, that Irene had the artistic temperament highly developed, and that Viola was something or other else of a mould equally commonplace among children of that class and type in the twentieth century.
    I wish them not only to be TAUGHT, said Mrs.Quabarl, but INTERESTED in what they learn. In their history lessons, for instance, you must try to make them feel that they are being introduced to the life-stories of men and women who really lived, not merely committing a mass of names and dates to memory. French, of course, I shall expect you to talk at mealtimes several days in the week.
    I shall talk French four days of the week and Russian in the remaining three.
    Russian? My dear Miss Hope, no one in the house speaks or understands Russian.
    That will not embarrass me in the least, said Lady Carlotta coldly. Mrs. Quabarl, to use a colloquial expression, was knocked off her perch. She was one of those imperfectly self-assured individuals who are magnificent and autocratic as long as they are not seriously opposed. The least show of unexpected resistance goes a long way towards rendering them cowed and apologetic. When the new governess failed to express wondering admiration of the large newly-purchased and expensive car, and lightly alluded to the superior advantages of one or two makes which had just been put on the market, the discomfiture of her patroness became almost abject. Her feelings were those which might have animated general of ancient warfaring days, on beholding his heaviest battle-elephant ignominiously driven off the field by slingers and javelin throwers.

    ...view full instructions

    Which option correctly summarizes the story?
    Solution
    The correct answer is Option C. In the story, Lady Carlotta is mistakes as Miss Hope by Mrs. Quabarl but Lady Carlotta does not correct her and accompanies her to her house.
    Options A, B and D are incorrect as they do not match the context of the given story-line.
  • Question 7
    1 / -0

    Directions For Questions

    [passage-header]
    Read the passage given below and answer the question that follows:
    (This passage is adapted from Saki, “The Schartz-Metterklume Method.”)
    [/passage-header]Lady Carlotta stepped out onto the platform of the small wayside station and took a turn or two up and down its uninteresting length, to kill time till the train should be pleased to proceed on its way. Then, in the roadway beyond, she saw a horse struggling with a more than ample load, and a carter of the sort that seems to bear a sullen hatred against the animal that helps him to earn a living. Lady Carlotta promptly betook her to the roadway and put rather a different complexion on the struggle. Certain of her acquaintances were wont to give her plentiful admonition as to the undesirability of interfering behalf of a distressed animal, such interference being none of her business. Only once had she put the doctrine of non-interference into practice, when one of its most eloquent exponents had been besieged for nearly three hours in a small and extremely uncomfortable may-tree by an angry boar-pig, while Lady Carlotta, on the other side of the fence, had proceeded with the water-colour sketch she was engaged on and refused to interfere between the board and his prisoner. It is to be feared that she lost the friendship of the ultimately rescued lady. On this occasion, she merely lost the train, which gave way to the first sign of impatience it had shown throughout the journey and steamed off without her. She bore the desertion with philosophical indifference; her friends and relations were thoroughly well used to the fact of her luggage arriving without her. She wired a vague non-committal message to her destination to say that she was coming on by another train. Before she had time to think what her next move might be she was confronted by an imposingly attired lady, who seemed to be taking a prolonged mental inventory of her clothes and looks. 
    You must be Miss Hope, the governess I've come to meet, said the apparition, in a tone that admitted of very little argument.
    Very well, if I must I must, said Lady Carlotta herself with dangerous meekness.
    I am Mrs. Quabarl, continued the lady; and where, pray, is your luggage? 
    Its gone astray, said the alleged governess, falling in with the excellent rule of life that the absent are always to blame; the luggage had, in point of fact, behaved with perfect correctitude.
    I've just telegraphed about it, she added, with a nearer approach to truth.
    How provoking, said Mrs. Quabarl; these railway companies are so careless. However, my maid can lend you things for the night, and she led the way to her car. During the drive to the Quabarl mansion Lady Carlotta was impressively introduced to the nature of the charge that had been thrust upon her; she learned that Claude and Wilfrid were delicate, sensitive young people, that Irene had the artistic temperament highly developed, and that Viola was something or other else of a mould equally commonplace among children of that class and type in the twentieth century.
    I wish them not only to be TAUGHT, said Mrs.Quabarl, but INTERESTED in what they learn. In their history lessons, for instance, you must try to make them feel that they are being introduced to the life-stories of men and women who really lived, not merely committing a mass of names and dates to memory. French, of course, I shall expect you to talk at mealtimes several days in the week.
    I shall talk French four days of the week and Russian in the remaining three.
    Russian? My dear Miss Hope, no one in the house speaks or understands Russian.
    That will not embarrass me in the least, said Lady Carlotta coldly. Mrs. Quabarl, to use a colloquial expression, was knocked off her perch. She was one of those imperfectly self-assured individuals who are magnificent and autocratic as long as they are not seriously opposed. The least show of unexpected resistance goes a long way towards rendering them cowed and apologetic. When the new governess failed to express wondering admiration of the large newly-purchased and expensive car, and lightly alluded to the superior advantages of one or two makes which had just been put on the market, the discomfiture of her patroness became almost abject. Her feelings were those which might have animated general of ancient warfaring days, on beholding his heaviest battle-elephant ignominiously driven off the field by slingers and javelin throwers.

    ...view full instructions

    Which option best describes the characters, Wilfrid, Claude, Irene and Viola, in the context of the passage?
    Solution
    The correct answer is Option D. All the characters, Wilfrid, Claude, Irene and Viola had different interests but were very similar to other children of their age.
    Options A, B and C are incorrect as the descriptions do not match the characters of the story.
  • Question 8
    1 / -0
    Identify the right option:

    And then I realised Jane said with a sigh that he lied to me.

    Solution
    In dialogue writing, the dialogue is always written within double inverted commas. A comma separates a dialogue from the rest of the sentence. The period or a comma in a dialogue always remains inside the inverted commas.
    The correct answer is Option A as it adheres to all the rules of the dialogue writing appropriately.
    Options B, C and D are incorrect as they do not adhere to the format of dialogue writing.
  • Question 9
    1 / -0
    Your class is organizing an event, and you have decided to deliver a speech to welcome all those attending the event. Identify which option is the most suitable for the speech.
    Solution
    The correct answer is Option B. When an event is being organized in the class the tone should be warm and formal. So, Option B suits best for the given situation.
    Option A is incorrect as the tone is too informal for the situation.
    Options C and D are incorrect as they do not adhere to the format of a 'welcome speech'.
  • Question 10
    1 / -0
    You are a member of a social service club. You have been asked to deliver a speech to the people of a neighbourhood, explaining to them the importance of good sanitation and hygiene practices. Which option is the most appropriate to include in the speech?
    Solution
    The correct answer is Option C. The speech is being delivered to the people of the neighborhood and so the language should be formal yet simple.
    Option A is incorrect as the tone is informal and is thus inappropriate.
    Option B is incorrect as the language used is difficult and may not be understood by everybody.
    Option D is incorrect as the purpose of the speech is not being fulfilled by the questions.
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