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  • Question 1
    1 / -0

    SCENE II. Venice. A street.

    Enter LAUNCELOT

    LAUNCELOT

    Certainly my conscience will serve me to run from
    this Jew my master. The fiend is at mine elbow and
    tempts me saying to me 'Gobbo, Launcelot Gobbo, good
    Launcelot,' or 'good Gobbo,' or good Launcelot
    Gobbo, use your legs, take the start, run away. My
    conscience says 'No; take heed,' honest Launcelot;
    take heed, honest Gobbo, or, as aforesaid, 'honest
    Launcelot Gobbo; do not run; scorn running with thy
    heels.' Well, the most courageous fiend bids me
    pack: 'Via!' says the fiend; 'away!' says the
    fiend; 'for the heavens, rouse up a brave mind,'
    says the fiend, 'and run.' Well, my conscience,
    hanging about the neck of my heart, says very wisely
    to me 'My honest friend Launcelot, being an honest
    man's son,' or rather an honest woman's son; for,
    indeed, my father did something smack, something
    grow to, he had a kind of taste; well, my conscience
    says 'Launcelot, budge not.' 'Budge,' says the
    fiend. 'Budge not,' says my conscience.
    'Conscience,' say I, 'you counsel well;' ' Fiend,'
    say I, 'you counsel well:' to be ruled by my
    conscience, I should stay with the Jew my master,
    who, God bless the mark, is a kind of devil; and, to
    run away from the Jew, I should be ruled by the
    fiend, who, saving your reverence, is the devil
    himself. Certainly the Jew is the very devil
    incarnal; and, in my conscience, my conscience is
    but a kind of hard conscience, to offer to counsel
    me to stay with the Jew. The fiend gives the more
    friendly counsel: I will run, fiend; my heels are
    at your command; I will run.

    What does the line 'Enter Launcelot' indicate?

     

  • Question 2
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    Enter ROSS and ANGUS

    ROSS

    The king hath happily received, Macbeth,
    The news of thy success; and when he reads
    Thy personal venture in the rebels' fight,
    His wonders and his praises do contend
    Which should be thine or his: silenced with that,
    In viewing o'er the rest o' the selfsame day,
    He finds thee in the stout Norweyan ranks,
    Nothing afeard of what thyself didst make,
    Strange images of death. As thick as hail
    Came post with post; and every one did bear
    Thy praises in his kingdom's great defence,
    And pour'd them down before him.

    ANGUS

    We are sent
    To give thee from our royal master thanks;
    Only to herald thee into his sight,
    Not pay thee.

    What does the line 'Enter Ross and Angus' indicate?

     

  • Question 3
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    ALL

    The weird sisters, hand in hand,
    Posters of the sea and land,
    Thus do go about, about:
    Thrice to thine and thrice to mine
    And thrice again, to make up nine.
    Peace! the charm's wound up.

    Enter MACBETH and BANQUO

    MACBETH

    So foul and fair a day I have not seen.

    BANQUO

    How far is't call'd to Forres? What are these
    So wither'd and so wild in their attire,
    That look not like the inhabitants o' the earth,
    And yet are on't? Live you? or are you aught
    That man may question? You seem to understand me,
    By each at once her chappy finger laying
    Upon her skinny lips: you should be women,
    And yet your beards forbid me to interpret
    That you are so.

    What does the line 'Enter Macbeth and Banquo' indicate?

     

  • Question 4
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    SALANIO

    And so will I.

    LORENZO

    Meet me and Gratiano
    At Gratiano's lodging some hour hence.

    SALARINO

    'Tis good we do so.

    Exeunt SALARINO and SALANIO

    What does the line 'Exeunt Salarino and Salanio' indicate?

     

  • Question 5
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    SCENE V. The same. Before SHYLOCK'S house.

    Enter SHYLOCK and LAUNCELOT

    SHYLOCK

    Well, thou shalt see, thy eyes shall be thy judge,
    The difference of old Shylock and Bassanio:--
    What, Jessica!--thou shalt not gormandise,
    As thou hast done with me:--What, Jessica!--
    And sleep and snore, and rend apparel out;--
    Why, Jessica, I say!

    What does the line 'Enter Shylock and Launcelot' indicate?

     

  • Question 6
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    ANTONIO

    Hie thee, gentle Jew.

    Exit Shylock

    The Hebrew will turn Christian: he grows kind.

    BASSANIO

    I like not fair terms and a villain's mind.

    What does the line 'Exit Shylock' indicate?

     

  • Question 7
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    Portia

    I remember him well, and I remember him worthy of

    thy praise.

    Enter a Serving-man

    How now! what news?

    Servant

    The four strangers seek for you, madam, to take
    their leave: and there is a forerunner come from a
    fifth, the Prince of Morocco, who brings word the
    prince his master will be here to-night.

    What does the line 'Enter a Serving-man' indicate?

     

  • Question 8
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    Enter BASSANIO, with LEONARDO and other followers

    BASSANIO

    You may do so; but let it be so hasted that supper
    be ready at the farthest by five of the clock. See
    these letters delivered; put the liveries to making,
    and desire Gratiano to come anon to my lodging.

    What does the line 'Enter Bassanio and Leonardo with the followers' indicate?

     

  • Question 9
    1 / -0

    Directions For Questions

    In the first scene of "Hitchcock Loves Bikinis," a young mum is playing happily with her baby. Next comes a close-up shot of Alfred Hitchcock, the late movie director, smiling. Clearly, he is a man whose heart is warmed by this sweet glove. In the glimpse of maternal love. In the next scene, we see a bikini-clad woman sunbathing followed by exactly the same shot of Hitchcock smiling. Instead of a benign grandfatherly figure, this time we see a lecherous old man. The moral of the story is simple: context is everything. Mr. Kagan's effort, "Psychology's Ghosts," consists of his assessment of four problems is psychological theory and clinically practical. The first problem is laid out in the chapter "Missing Contexts". the facts that many researchers fail to consider that their measurements of brains, behavior and self-reported experience are profoundly influenced by their subjects' culture, class, and experiences, as well as by the situation in which the research is conducted. In his second essay, "Happiness Ascendant", Mr. Kagan virtually demolishes the popular academic effort to measure "subjective well-being", let alone a measure and compare the level of happiness of entries nations. No psychologist, he observes would accept as reliable your own answer to the question: "How good is your memory?" Whether your answer is "great" or "terrible", you have no way of knowing whether your memory of your memories is accurate. But psychologists, Mr. Kagan argues, are willing to accept people's answer to how happy they are as if it "is an accurate measure of a psychological state whose definition remains fuzzy." In the third and fourth essays, "Who is Mentally Ill?" "Helping the Mentally III", Mr. Kagan turns to the intransigent problems of psychiatric diagnosis and treatment. The Diagnostic and Statistical Manual of Mental Disorder (DSM) "regard every intense bout of sadness or worry, no matter what their origin is as a possible sign of mental disorder," Mr. Kagan laments. But "most of these illness categories are analogous to complaints of headaches or cramps. Physicians can decide on the best treatment for a headache only after they have determined its cause. The symptom alone is an insufficient guide". Nonetheless, the DSM is primarily a collection of symptoms, overlooking the context in which the symptom such as anxiety or law sexual desire occurs and what it means to an individual. It might mean nothing at all. What it means to an American might mean nothing to a Japanese. The same one-size-fits-all approach plagues treatment, "Most drugs can be linked to a blow on the head, "Mr. Kagan observes, they are blunt instruments, not precisely-tailored remedies. Psychotherapy depends largely on the clients' belief that it will be helpful, which is why all therapies help some people and some people are not helped by any. No experience affect anyone equally- including natural disasters, abuse, having a cruel parent, losing a job or having an illicit affair - through many therapists wish us to believe the opposite.

    ...view full instructions

    The passage suggests which of the following as most likely to be true of the DSM?

  • Question 10
    1 / -0

    Directions For Questions

    In the first scene of "Hitchcock Loves Bikinis," a young mum is playing happily with her baby. Next comes a close-up shot of Alfred Hitchcock, the late movie director, smiling. Clearly, he is a man whose heart is warmed by this sweet glove. In the glimpse of maternal love. In the next scene, we see a bikini-clad woman sunbathing followed by exactly the same shot of Hitchcock smiling. Instead of a benign grandfatherly figure, this time we see a lecherous old man. The moral of the story is simple: context is everything. Mr. Kagan's effort, "Psychology's Ghosts," consists of his assessment of four problems is psychological theory and clinically practical. The first problem is laid out in the chapter "Missing Contexts". the facts that many researchers fail to consider that their measurements of brains, behavior and self-reported experience are profoundly influenced by their subjects' culture, class, and experiences, as well as by the situation in which the research is conducted. In his second essay, "Happiness Ascendant", Mr. Kagan virtually demolishes the popular academic effort to measure "subjective well-being", let alone a measure and compare the level of happiness of entries nations. No psychologist, he observes would accept as reliable your own answer to the question: "How good is your memory?" Whether your answer is "great" or "terrible", you have no way of knowing whether your memory of your memories is accurate. But psychologists, Mr. Kagan argues, are willing to accept people's answer to how happy they are as if it "is an accurate measure of a psychological state whose definition remains fuzzy." In the third and fourth essays, "Who is Mentally Ill?" "Helping the Mentally III", Mr. Kagan turns to the intransigent problems of psychiatric diagnosis and treatment. The Diagnostic and Statistical Manual of Mental Disorder (DSM) "regard every intense bout of sadness or worry, no matter what their origin is as a possible sign of mental disorder," Mr. Kagan laments. But "most of these illness categories are analogous to complaints of headaches or cramps. Physicians can decide on the best treatment for a headache only after they have determined its cause. The symptom alone is an insufficient guide". Nonetheless, the DSM is primarily a collection of symptoms, overlooking the context in which the symptom such as anxiety or law sexual desire occurs and what it means to an individual. It might mean nothing at all. What it means to an American might mean nothing to a Japanese. The same one-size-fits-all approach plagues treatment, "Most drugs can be linked to a blow on the head, "Mr. Kagan observes, they are blunt instruments, not precisely-tailored remedies. Psychotherapy depends largely on the clients' belief that it will be helpful, which is why all therapies help some people and some people are not helped by any. No experience affect anyone equally- including natural disasters, abuse, having a cruel parent, losing a job or having an illicit affair - through many therapists wish us to believe the opposite.

    ...view full instructions

    The passage is primarily concerned with 

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