Vocabulary Based Passages Test-2

Directions: Read the passage carefully and answer the questions that follow.

On our way out we banged on Raymond’s door, and he shouted that he’d be with us in a jiffy. We went down to the street and, because of my being rather under the weather and our having kept the blind down in my room, the glare of the morning sun hit me in the eyes like a clenched fist. Marie, however, was almost dancing with delight, and kept repeating, “What a heavenly day!” After a few minutes I was feeling better, and noticed that I was hungry.

I mentioned this to Marie, but she paid no attention. She was carrying an oilcloth bag in which she had stowed our bathing kit and a towel. Presently we heard Raymond shutting his door. He was wearing blue trousers, a short-sleeved white shirt, and a straw hat. I noticed that his forearms were rather hairy, but the skin was very white beneath. The straw hat made Marie giggle. Personally, I was rather put off by his getup. He seemed in high spirits and was whistling as he came down the stairs. He greeted me with, “Hello, old boy!” and addressed Marie as “Mademoiselle.” On the previous evening we had visited the police station, where I gave evidence for Raymond—about the girl’s having been false to him. So they let him off with a warning.

They didn’t check my statement. After some talk on the doorstep we decided to take the bus. The beach was within easy walking distance, but the sooner we got there the better. Just as we were starting for the bus stop, Raymond plucked my sleeve and told me to look across the street. I saw some Arabs lounging against the tobacconist’s window. They were staring at us silently, in the special way these people have—as if we were blocks of stone or dead trees. Raymond whispered that the second Arab from the left was “his man,” and I thought he looked rather worried However, he assured me that all that was ancient history.

Marie, who hadn’t followed his remarks, asked, “What is it?” I explained that those Arabs across the way had a grudge against Raymond. She insisted on our going at once. Then Raymond laughed, and squared his shoulders. The young lady was quite right, he said. There was no point in hanging about here. Halfway to the bus stop he glanced back over his shoulder and said the Arabs weren’t following. I, too, looked back.

They were exactly as before, gazing in the same vague way at the spot where we had been. When we were in the bus, Raymond, who now seemed quite at ease, kept making jokes to amuse Marie. I could see he was attracted by her, but she had hardly a word for him. Now and again she would catch my eye and smile.

[Extract from THE Stranger  By ALBERT CAMUS]

Directions: Read the passage carefully and answer the questions that follow.

On our way out we banged on Raymond’s door, and he shouted that he’d be with us in a jiffy. We went down to the street and, because of my being rather under the weather and our having kept the blind down in my room, the glare of the morning sun hit me in the eyes like a clenched fist. Marie, however, was almost dancing with delight, and kept repeating, “What a heavenly day!” After a few minutes I was feeling better, and noticed that I was hungry.

I mentioned this to Marie, but she paid no attention. She was carrying an oilcloth bag in which she had stowed our bathing kit and a towel. Presently we heard Raymond shutting his door. He was wearing blue trousers, a short-sleeved white shirt, and a straw hat. I noticed that his forearms were rather hairy, but the skin was very white beneath. The straw hat made Marie giggle. Personally, I was rather put off by his getup. He seemed in high spirits and was whistling as he came down the stairs. He greeted me with, “Hello, old boy!” and addressed Marie as “Mademoiselle.” On the previous evening we had visited the police station, where I gave evidence for Raymond—about the girl’s having been false to him. So they let him off with a warning.

They didn’t check my statement. After some talk on the doorstep we decided to take the bus. The beach was within easy walking distance, but the sooner we got there the better. Just as we were starting for the bus stop, Raymond plucked my sleeve and told me to look across the street. I saw some Arabs lounging against the tobacconist’s window. They were staring at us silently, in the special way these people have—as if we were blocks of stone or dead trees. Raymond whispered that the second Arab from the left was “his man,” and I thought he looked rather worried However, he assured me that all that was ancient history.

Marie, who hadn’t followed his remarks, asked, “What is it?” I explained that those Arabs across the way had a grudge against Raymond. She insisted on our going at once. Then Raymond laughed, and squared his shoulders. The young lady was quite right, he said. There was no point in hanging about here. Halfway to the bus stop he glanced back over his shoulder and said the Arabs weren’t following. I, too, looked back.

They were exactly as before, gazing in the same vague way at the spot where we had been. When we were in the bus, Raymond, who now seemed quite at ease, kept making jokes to amuse Marie. I could see he was attracted by her, but she had hardly a word for him. Now and again she would catch my eye and smile.

[Extract from THE Stranger  By ALBERT CAMUS]

Directions: Read the passage carefully and answer the questions that follow.

On our way out we banged on Raymond’s door, and he shouted that he’d be with us in a jiffy. We went down to the street and, because of my being rather under the weather and our having kept the blind down in my room, the glare of the morning sun hit me in the eyes like a clenched fist. Marie, however, was almost dancing with delight, and kept repeating, “What a heavenly day!” After a few minutes I was feeling better, and noticed that I was hungry.

I mentioned this to Marie, but she paid no attention. She was carrying an oilcloth bag in which she had stowed our bathing kit and a towel. Presently we heard Raymond shutting his door. He was wearing blue trousers, a short-sleeved white shirt, and a straw hat. I noticed that his forearms were rather hairy, but the skin was very white beneath. The straw hat made Marie giggle. Personally, I was rather put off by his getup. He seemed in high spirits and was whistling as he came down the stairs. He greeted me with, “Hello, old boy!” and addressed Marie as “Mademoiselle.” On the previous evening we had visited the police station, where I gave evidence for Raymond—about the girl’s having been false to him. So they let him off with a warning.

They didn’t check my statement. After some talk on the doorstep we decided to take the bus. The beach was within easy walking distance, but the sooner we got there the better. Just as we were starting for the bus stop, Raymond plucked my sleeve and told me to look across the street. I saw some Arabs lounging against the tobacconist’s window. They were staring at us silently, in the special way these people have—as if we were blocks of stone or dead trees. Raymond whispered that the second Arab from the left was “his man,” and I thought he looked rather worried However, he assured me that all that was ancient history.

Marie, who hadn’t followed his remarks, asked, “What is it?” I explained that those Arabs across the way had a grudge against Raymond. She insisted on our going at once. Then Raymond laughed, and squared his shoulders. The young lady was quite right, he said. There was no point in hanging about here. Halfway to the bus stop he glanced back over his shoulder and said the Arabs weren’t following. I, too, looked back.

They were exactly as before, gazing in the same vague way at the spot where we had been. When we were in the bus, Raymond, who now seemed quite at ease, kept making jokes to amuse Marie. I could see he was attracted by her, but she had hardly a word for him. Now and again she would catch my eye and smile.

[Extract from THE Stranger  By ALBERT CAMUS]

Directions: Read the passage carefully and answer the questions that follow.

On our way out we banged on Raymond’s door, and he shouted that he’d be with us in a jiffy. We went down to the street and, because of my being rather under the weather and our having kept the blind down in my room, the glare of the morning sun hit me in the eyes like a clenched fist. Marie, however, was almost dancing with delight, and kept repeating, “What a heavenly day!” After a few minutes I was feeling better, and noticed that I was hungry.

I mentioned this to Marie, but she paid no attention. She was carrying an oilcloth bag in which she had stowed our bathing kit and a towel. Presently we heard Raymond shutting his door. He was wearing blue trousers, a short-sleeved white shirt, and a straw hat. I noticed that his forearms were rather hairy, but the skin was very white beneath. The straw hat made Marie giggle. Personally, I was rather put off by his getup. He seemed in high spirits and was whistling as he came down the stairs. He greeted me with, “Hello, old boy!” and addressed Marie as “Mademoiselle.” On the previous evening we had visited the police station, where I gave evidence for Raymond—about the girl’s having been false to him. So they let him off with a warning.

They didn’t check my statement. After some talk on the doorstep we decided to take the bus. The beach was within easy walking distance, but the sooner we got there the better. Just as we were starting for the bus stop, Raymond plucked my sleeve and told me to look across the street. I saw some Arabs lounging against the tobacconist’s window. They were staring at us silently, in the special way these people have—as if we were blocks of stone or dead trees. Raymond whispered that the second Arab from the left was “his man,” and I thought he looked rather worried However, he assured me that all that was ancient history.

Marie, who hadn’t followed his remarks, asked, “What is it?” I explained that those Arabs across the way had a grudge against Raymond. She insisted on our going at once. Then Raymond laughed, and squared his shoulders. The young lady was quite right, he said. There was no point in hanging about here. Halfway to the bus stop he glanced back over his shoulder and said the Arabs weren’t following. I, too, looked back.

They were exactly as before, gazing in the same vague way at the spot where we had been. When we were in the bus, Raymond, who now seemed quite at ease, kept making jokes to amuse Marie. I could see he was attracted by her, but she had hardly a word for him. Now and again she would catch my eye and smile.

[Extract from THE Stranger  By ALBERT CAMUS]

Directions: Read the passage carefully and answer the questions that follow.

On our way out we banged on Raymond’s door, and he shouted that he’d be with us in a jiffy. We went down to the street and, because of my being rather under the weather and our having kept the blind down in my room, the glare of the morning sun hit me in the eyes like a clenched fist. Marie, however, was almost dancing with delight, and kept repeating, “What a heavenly day!” After a few minutes I was feeling better, and noticed that I was hungry.

I mentioned this to Marie, but she paid no attention. She was carrying an oilcloth bag in which she had stowed our bathing kit and a towel. Presently we heard Raymond shutting his door. He was wearing blue trousers, a short-sleeved white shirt, and a straw hat. I noticed that his forearms were rather hairy, but the skin was very white beneath. The straw hat made Marie giggle. Personally, I was rather put off by his getup. He seemed in high spirits and was whistling as he came down the stairs. He greeted me with, “Hello, old boy!” and addressed Marie as “Mademoiselle.” On the previous evening we had visited the police station, where I gave evidence for Raymond—about the girl’s having been false to him. So they let him off with a warning.

They didn’t check my statement. After some talk on the doorstep we decided to take the bus. The beach was within easy walking distance, but the sooner we got there the better. Just as we were starting for the bus stop, Raymond plucked my sleeve and told me to look across the street. I saw some Arabs lounging against the tobacconist’s window. They were staring at us silently, in the special way these people have—as if we were blocks of stone or dead trees. Raymond whispered that the second Arab from the left was “his man,” and I thought he looked rather worried However, he assured me that all that was ancient history.

Marie, who hadn’t followed his remarks, asked, “What is it?” I explained that those Arabs across the way had a grudge against Raymond. She insisted on our going at once. Then Raymond laughed, and squared his shoulders. The young lady was quite right, he said. There was no point in hanging about here. Halfway to the bus stop he glanced back over his shoulder and said the Arabs weren’t following. I, too, looked back.

They were exactly as before, gazing in the same vague way at the spot where we had been. When we were in the bus, Raymond, who now seemed quite at ease, kept making jokes to amuse Marie. I could see he was attracted by her, but she had hardly a word for him. Now and again she would catch my eye and smile.

[Extract from THE Stranger  By ALBERT CAMUS]

Directions: Read the passage carefully and answer the questions that follow.

Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the House were proud of its smallness, proud of its darkness, proud of its ugliness, proud of its incommodiousness.

They were even boastful of its eminence in those particulars, and were fired by an express conviction that, if it were less objectionable, it would be less respectable. This was no passive belief, but an active weapon which they flashed at more convenient places of business. Tellson's (they said) wanted no elbow-room, Tellson's wanted no light, Tellson's wanted no embellishment. Noakes and Co.'s might, or Snooks Brothers' might; but Tellson's, thank Heaven! Any one of these partners would have disinherited his son on the question of rebuilding Tellson's.

In this respect the House was much on a par with the Country; which did very often disinherit its sons for suggesting improvements in laws and customs that had long been highly objectionable, but were only the more respectable. Thus it had come to pass, that Tellson's was the triumphant perfection of inconvenience. After bursting open a door of idiotic obstinacy with a weak rattle in its throat, you fell into Tellson's down two steps, and came to your senses in a miserable little shop, with two little counters, where the oldest of men made your cheque shake as if the wind rustled it, while they examined the signature by the dingiest of windows, which were always under a shower-bath of mud from Fleet-street, and which were made the dingier by their own iron bars proper, and the heavy shadow of Temple Bar.

If your business necessitated your seeing "the House," you were put into a species of Condemned Hold at the back, where you meditated on a misspent life, until the House came with its bands in its pockets, and you could hardly blink at it in the dismal twilight. Your money came out of, or went into, wormy old wooden drawers, particles of which flew up your nose and down your throat when they were opened and shut.Your bank-notes had a musty odour, as if they were fast decomposing into rags again. Your plate was stowed away among the neighbouring cesspools, and evil communications corrupted its good polish in a day or two. Your deeds got into extemporised strong-rooms made of kitchens and sculleries, and fretted all the fat out of their parchments into the banking-house air.

Your lighter boxes of family papers went up-stairs into a Barmecide room, that always had a great dining-table in it and never had a dinner, and where, even in the year one thousand seven hundred and eighty, the first letters written to you by your old love, or by your little children, were but newly released from the horror of being ogled through the windows, by the heads exposed on Temple Bar with an insensate brutality and ferocity worthy of Abyssinia or Ashantee.

[Extract from A tale of two cities from Charles Dickens]

Directions: Read the passage carefully and answer the questions that follow.

Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the House were proud of its smallness, proud of its darkness, proud of its ugliness, proud of its incommodiousness.

They were even boastful of its eminence in those particulars, and were fired by an express conviction that, if it were less objectionable, it would be less respectable. This was no passive belief, but an active weapon which they flashed at more convenient places of business. Tellson's (they said) wanted no elbow-room, Tellson's wanted no light, Tellson's wanted no embellishment. Noakes and Co.'s might, or Snooks Brothers' might; but Tellson's, thank Heaven! Any one of these partners would have disinherited his son on the question of rebuilding Tellson's.

In this respect the House was much on a par with the Country; which did very often disinherit its sons for suggesting improvements in laws and customs that had long been highly objectionable, but were only the more respectable. Thus it had come to pass, that Tellson's was the triumphant perfection of inconvenience. After bursting open a door of idiotic obstinacy with a weak rattle in its throat, you fell into Tellson's down two steps, and came to your senses in a miserable little shop, with two little counters, where the oldest of men made your cheque shake as if the wind rustled it, while they examined the signature by the dingiest of windows, which were always under a shower-bath of mud from Fleet-street, and which were made the dingier by their own iron bars proper, and the heavy shadow of Temple Bar.

If your business necessitated your seeing "the House," you were put into a species of Condemned Hold at the back, where you meditated on a misspent life, until the House came with its bands in its pockets, and you could hardly blink at it in the dismal twilight. Your money came out of, or went into, wormy old wooden drawers, particles of which flew up your nose and down your throat when they were opened and shut.Your bank-notes had a musty odour, as if they were fast decomposing into rags again. Your plate was stowed away among the neighbouring cesspools, and evil communications corrupted its good polish in a day or two. Your deeds got into extemporised strong-rooms made of kitchens and sculleries, and fretted all the fat out of their parchments into the banking-house air.

Your lighter boxes of family papers went up-stairs into a Barmecide room, that always had a great dining-table in it and never had a dinner, and where, even in the year one thousand seven hundred and eighty, the first letters written to you by your old love, or by your little children, were but newly released from the horror of being ogled through the windows, by the heads exposed on Temple Bar with an insensate brutality and ferocity worthy of Abyssinia or Ashantee.

[Extract from A tale of two cities from Charles Dickens]

Directions: Read the passage carefully and answer the questions that follow.

Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the House were proud of its smallness, proud of its darkness, proud of its ugliness, proud of its incommodiousness.

They were even boastful of its eminence in those particulars, and were fired by an express conviction that, if it were less objectionable, it would be less respectable. This was no passive belief, but an active weapon which they flashed at more convenient places of business. Tellson's (they said) wanted no elbow-room, Tellson's wanted no light, Tellson's wanted no embellishment. Noakes and Co.'s might, or Snooks Brothers' might; but Tellson's, thank Heaven! Any one of these partners would have disinherited his son on the question of rebuilding Tellson's.

In this respect the House was much on a par with the Country; which did very often disinherit its sons for suggesting improvements in laws and customs that had long been highly objectionable, but were only the more respectable. Thus it had come to pass, that Tellson's was the triumphant perfection of inconvenience. After bursting open a door of idiotic obstinacy with a weak rattle in its throat, you fell into Tellson's down two steps, and came to your senses in a miserable little shop, with two little counters, where the oldest of men made your cheque shake as if the wind rustled it, while they examined the signature by the dingiest of windows, which were always under a shower-bath of mud from Fleet-street, and which were made the dingier by their own iron bars proper, and the heavy shadow of Temple Bar.

If your business necessitated your seeing "the House," you were put into a species of Condemned Hold at the back, where you meditated on a misspent life, until the House came with its bands in its pockets, and you could hardly blink at it in the dismal twilight. Your money came out of, or went into, wormy old wooden drawers, particles of which flew up your nose and down your throat when they were opened and shut.Your bank-notes had a musty odour, as if they were fast decomposing into rags again. Your plate was stowed away among the neighbouring cesspools, and evil communications corrupted its good polish in a day or two. Your deeds got into extemporised strong-rooms made of kitchens and sculleries, and fretted all the fat out of their parchments into the banking-house air.

Your lighter boxes of family papers went up-stairs into a Barmecide room, that always had a great dining-table in it and never had a dinner, and where, even in the year one thousand seven hundred and eighty, the first letters written to you by your old love, or by your little children, were but newly released from the horror of being ogled through the windows, by the heads exposed on Temple Bar with an insensate brutality and ferocity worthy of Abyssinia or Ashantee.

[Extract from A tale of two cities from Charles Dickens]

Directions: Read the passage carefully and answer the questions that follow.

Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the House were proud of its smallness, proud of its darkness, proud of its ugliness, proud of its incommodiousness.

They were even boastful of its eminence in those particulars, and were fired by an express conviction that, if it were less objectionable, it would be less respectable. This was no passive belief, but an active weapon which they flashed at more convenient places of business. Tellson's (they said) wanted no elbow-room, Tellson's wanted no light, Tellson's wanted no embellishment. Noakes and Co.'s might, or Snooks Brothers' might; but Tellson's, thank Heaven! Any one of these partners would have disinherited his son on the question of rebuilding Tellson's.

In this respect the House was much on a par with the Country; which did very often disinherit its sons for suggesting improvements in laws and customs that had long been highly objectionable, but were only the more respectable. Thus it had come to pass, that Tellson's was the triumphant perfection of inconvenience. After bursting open a door of idiotic obstinacy with a weak rattle in its throat, you fell into Tellson's down two steps, and came to your senses in a miserable little shop, with two little counters, where the oldest of men made your cheque shake as if the wind rustled it, while they examined the signature by the dingiest of windows, which were always under a shower-bath of mud from Fleet-street, and which were made the dingier by their own iron bars proper, and the heavy shadow of Temple Bar.

If your business necessitated your seeing "the House," you were put into a species of Condemned Hold at the back, where you meditated on a misspent life, until the House came with its bands in its pockets, and you could hardly blink at it in the dismal twilight. Your money came out of, or went into, wormy old wooden drawers, particles of which flew up your nose and down your throat when they were opened and shut.Your bank-notes had a musty odour, as if they were fast decomposing into rags again. Your plate was stowed away among the neighbouring cesspools, and evil communications corrupted its good polish in a day or two. Your deeds got into extemporised strong-rooms made of kitchens and sculleries, and fretted all the fat out of their parchments into the banking-house air.

Your lighter boxes of family papers went up-stairs into a Barmecide room, that always had a great dining-table in it and never had a dinner, and where, even in the year one thousand seven hundred and eighty, the first letters written to you by your old love, or by your little children, were but newly released from the horror of being ogled through the windows, by the heads exposed on Temple Bar with an insensate brutality and ferocity worthy of Abyssinia or Ashantee.

[Extract from A tale of two cities from Charles Dickens]

Directions: Read the passage carefully and answer the questions that follow.

Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the House were proud of its smallness, proud of its darkness, proud of its ugliness, proud of its incommodiousness.

They were even boastful of its eminence in those particulars, and were fired by an express conviction that, if it were less objectionable, it would be less respectable. This was no passive belief, but an active weapon which they flashed at more convenient places of business. Tellson's (they said) wanted no elbow-room, Tellson's wanted no light, Tellson's wanted no embellishment. Noakes and Co.'s might, or Snooks Brothers' might; but Tellson's, thank Heaven! Any one of these partners would have disinherited his son on the question of rebuilding Tellson's.

In this respect the House was much on a par with the Country; which did very often disinherit its sons for suggesting improvements in laws and customs that had long been highly objectionable, but were only the more respectable. Thus it had come to pass, that Tellson's was the triumphant perfection of inconvenience. After bursting open a door of idiotic obstinacy with a weak rattle in its throat, you fell into Tellson's down two steps, and came to your senses in a miserable little shop, with two little counters, where the oldest of men made your cheque shake as if the wind rustled it, while they examined the signature by the dingiest of windows, which were always under a shower-bath of mud from Fleet-street, and which were made the dingier by their own iron bars proper, and the heavy shadow of Temple Bar.

If your business necessitated your seeing "the House," you were put into a species of Condemned Hold at the back, where you meditated on a misspent life, until the House came with its bands in its pockets, and you could hardly blink at it in the dismal twilight. Your money came out of, or went into, wormy old wooden drawers, particles of which flew up your nose and down your throat when they were opened and shut.Your bank-notes had a musty odour, as if they were fast decomposing into rags again. Your plate was stowed away among the neighbouring cesspools, and evil communications corrupted its good polish in a day or two. Your deeds got into extemporised strong-rooms made of kitchens and sculleries, and fretted all the fat out of their parchments into the banking-house air.

Your lighter boxes of family papers went up-stairs into a Barmecide room, that always had a great dining-table in it and never had a dinner, and where, even in the year one thousand seven hundred and eighty, the first letters written to you by your old love, or by your little children, were but newly released from the horror of being ogled through the windows, by the heads exposed on Temple Bar with an insensate brutality and ferocity worthy of Abyssinia or Ashantee.

[Extract from A tale of two cities from Charles Dickens]

Directions: Read the passage carefully and answer the questions that follow.

Why did he not tell it? His father, who kept the racehorses, must be a magistrate too like Saurin’s father and Nasty Roche’s father. He thought of his own father, of how he sang songs while his mother played and of how he always gave him a shilling when he asked for sixpence and he felt sorry for him that he was not a magistrate like the other boys’ fathers.

Then why was he sent to that place with them? But his father had told him that he would be no stranger there because his granduncle had presented an address to the Liberator ay there fifty years before. You could know the people of that time by their old dress. It seemed to him a solemn time: and he wondered if that was the time when the fellows in Clongowes wore blue coats with brass buttons and yellow waistcoats and caps of rabbit-skin and drank beer like grownup people and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker. There would be cloudy grey light over the playgrounds. There was no noise on the playgrounds. The class must be doing the themes az or perhaps Father Arnall was reading out of the book. It was queer that they had not given him any medicine. Perhaps Brother Michael would bring it back when he came. They said you got stinking stuff to drink when you were in the infirmary. But he felt better now than before. It would be nice getting better slowly. You could get a book then.

There was a book in the library about Holland. There were lovely foreign names in it and pictures of strange-looking cities and ships. It made you feel so happy. How pale the light was at the window! But that was nice. The fire rose and fell on the wall. It was like waves. Someone had put coal on and he heard voices. They were talking. It was the noise of the waves.

Or the waves were talking among themselves as they rose and fell. He saw the sea of waves, long dark waves rising and falling, dark under the moonless night. A tiny light twinkled at the pierhead where the ship was entering: and he saw a multitude of people gathered by the waters’ edge to see the ship that was entering their harbour. A tall man stood on the deck, looking out towards the flat dark land: and by the light at the pierhead he saw his face, the sorrowful face of Brother Michael.

[Extract from A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce)]

Directions: Read the passage carefully and answer the questions that follow.

Why did he not tell it? His father, who kept the racehorses, must be a magistrate too like Saurin’s father and Nasty Roche’s father. He thought of his own father, of how he sang songs while his mother played and of how he always gave him a shilling when he asked for sixpence and he felt sorry for him that he was not a magistrate like the other boys’ fathers.

Then why was he sent to that place with them? But his father had told him that he would be no stranger there because his granduncle had presented an address to the Liberator ay there fifty years before. You could know the people of that time by their old dress. It seemed to him a solemn time: and he wondered if that was the time when the fellows in Clongowes wore blue coats with brass buttons and yellow waistcoats and caps of rabbit-skin and drank beer like grownup people and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker. There would be cloudy grey light over the playgrounds. There was no noise on the playgrounds. The class must be doing the themes az or perhaps Father Arnall was reading out of the book. It was queer that they had not given him any medicine. Perhaps Brother Michael would bring it back when he came. They said you got stinking stuff to drink when you were in the infirmary. But he felt better now than before. It would be nice getting better slowly. You could get a book then.

There was a book in the library about Holland. There were lovely foreign names in it and pictures of strange-looking cities and ships. It made you feel so happy. How pale the light was at the window! But that was nice. The fire rose and fell on the wall. It was like waves. Someone had put coal on and he heard voices. They were talking. It was the noise of the waves.

Or the waves were talking among themselves as they rose and fell. He saw the sea of waves, long dark waves rising and falling, dark under the moonless night. A tiny light twinkled at the pierhead where the ship was entering: and he saw a multitude of people gathered by the waters’ edge to see the ship that was entering their harbour. A tall man stood on the deck, looking out towards the flat dark land: and by the light at the pierhead he saw his face, the sorrowful face of Brother Michael.

[Extract from A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce)]

Directions: Read the passage carefully and answer the questions that follow.

Why did he not tell it? His father, who kept the racehorses, must be a magistrate too like Saurin’s father and Nasty Roche’s father. He thought of his own father, of how he sang songs while his mother played and of how he always gave him a shilling when he asked for sixpence and he felt sorry for him that he was not a magistrate like the other boys’ fathers.

Then why was he sent to that place with them? But his father had told him that he would be no stranger there because his granduncle had presented an address to the Liberator ay there fifty years before. You could know the people of that time by their old dress. It seemed to him a solemn time: and he wondered if that was the time when the fellows in Clongowes wore blue coats with brass buttons and yellow waistcoats and caps of rabbit-skin and drank beer like grownup people and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker. There would be cloudy grey light over the playgrounds. There was no noise on the playgrounds. The class must be doing the themes az or perhaps Father Arnall was reading out of the book. It was queer that they had not given him any medicine. Perhaps Brother Michael would bring it back when he came. They said you got stinking stuff to drink when you were in the infirmary. But he felt better now than before. It would be nice getting better slowly. You could get a book then.

There was a book in the library about Holland. There were lovely foreign names in it and pictures of strange-looking cities and ships. It made you feel so happy. How pale the light was at the window! But that was nice. The fire rose and fell on the wall. It was like waves. Someone had put coal on and he heard voices. They were talking. It was the noise of the waves.

Or the waves were talking among themselves as they rose and fell. He saw the sea of waves, long dark waves rising and falling, dark under the moonless night. A tiny light twinkled at the pierhead where the ship was entering: and he saw a multitude of people gathered by the waters’ edge to see the ship that was entering their harbour. A tall man stood on the deck, looking out towards the flat dark land: and by the light at the pierhead he saw his face, the sorrowful face of Brother Michael.

[Extract from A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce)]

Directions: Read the passage carefully and answer the questions that follow.

Why did he not tell it? His father, who kept the racehorses, must be a magistrate too like Saurin’s father and Nasty Roche’s father. He thought of his own father, of how he sang songs while his mother played and of how he always gave him a shilling when he asked for sixpence and he felt sorry for him that he was not a magistrate like the other boys’ fathers.

Then why was he sent to that place with them? But his father had told him that he would be no stranger there because his granduncle had presented an address to the Liberator ay there fifty years before. You could know the people of that time by their old dress. It seemed to him a solemn time: and he wondered if that was the time when the fellows in Clongowes wore blue coats with brass buttons and yellow waistcoats and caps of rabbit-skin and drank beer like grownup people and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker. There would be cloudy grey light over the playgrounds. There was no noise on the playgrounds. The class must be doing the themes az or perhaps Father Arnall was reading out of the book. It was queer that they had not given him any medicine. Perhaps Brother Michael would bring it back when he came. They said you got stinking stuff to drink when you were in the infirmary. But he felt better now than before. It would be nice getting better slowly. You could get a book then.

There was a book in the library about Holland. There were lovely foreign names in it and pictures of strange-looking cities and ships. It made you feel so happy. How pale the light was at the window! But that was nice. The fire rose and fell on the wall. It was like waves. Someone had put coal on and he heard voices. They were talking. It was the noise of the waves.

Or the waves were talking among themselves as they rose and fell. He saw the sea of waves, long dark waves rising and falling, dark under the moonless night. A tiny light twinkled at the pierhead where the ship was entering: and he saw a multitude of people gathered by the waters’ edge to see the ship that was entering their harbour. A tall man stood on the deck, looking out towards the flat dark land: and by the light at the pierhead he saw his face, the sorrowful face of Brother Michael.

[Extract from A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce)]

Directions: Read the passage carefully and answer the questions that follow.

Why did he not tell it? His father, who kept the racehorses, must be a magistrate too like Saurin’s father and Nasty Roche’s father. He thought of his own father, of how he sang songs while his mother played and of how he always gave him a shilling when he asked for sixpence and he felt sorry for him that he was not a magistrate like the other boys’ fathers.

Then why was he sent to that place with them? But his father had told him that he would be no stranger there because his granduncle had presented an address to the Liberator ay there fifty years before. You could know the people of that time by their old dress. It seemed to him a solemn time: and he wondered if that was the time when the fellows in Clongowes wore blue coats with brass buttons and yellow waistcoats and caps of rabbit-skin and drank beer like grownup people and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker. There would be cloudy grey light over the playgrounds. There was no noise on the playgrounds. The class must be doing the themes az or perhaps Father Arnall was reading out of the book. It was queer that they had not given him any medicine. Perhaps Brother Michael would bring it back when he came. They said you got stinking stuff to drink when you were in the infirmary. But he felt better now than before. It would be nice getting better slowly. You could get a book then.

There was a book in the library about Holland. There were lovely foreign names in it and pictures of strange-looking cities and ships. It made you feel so happy. How pale the light was at the window! But that was nice. The fire rose and fell on the wall. It was like waves. Someone had put coal on and he heard voices. They were talking. It was the noise of the waves.

Or the waves were talking among themselves as they rose and fell. He saw the sea of waves, long dark waves rising and falling, dark under the moonless night. A tiny light twinkled at the pierhead where the ship was entering: and he saw a multitude of people gathered by the waters’ edge to see the ship that was entering their harbour. A tall man stood on the deck, looking out towards the flat dark land: and by the light at the pierhead he saw his face, the sorrowful face of Brother Michael.

[Extract from A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce)]